The Living Paintings TrustBringing Pictures to Life |
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A part of The Living Paintings Trust
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About Us
Our HistoryIt all started in the spring of 1987 with a yellow Labrador who lacked concentration. Alison Oldland, who is Chairman of The Living Paintings Trust, wanted another young Labrador without all the problems of house training and chewed furniture. She contacted Tony Castleton, now a Trustee of The Living Paintings Trust and, at that time, U.K. head of appeals for Guide Dogs for the Blind, to see whether it would be possible for her to have one of their rejected trainee dogs. Eventually the dog handlers at Wokingham decided that Emma would never concentrate and become worthy of looking after a visually impaired person, and so she joined the Oldlands at Silchester House.Alison, then a lecturer in Art History, was so grateful to Tony and his colleagues, she decided to raise some money for them. Tony, a guide dog owner himself, who lost his sight when he was 29, came to hear a lecture on the Impressionists, and was so enthusiastic about Alison's descriptions of pictures that she offered to make some tapes about them which he could listen to at home. He said "Alison's wonderful gift for using words to describe colours, textures and perspective, interlaced with historical facts and details about the artists under review, really stimulated my imagination." He was thrilled by the realisation that the world of Art could be opened to visually impaired people like himself, and this gave Alison the idea that has turned into The Living Paintings Trust. She decided to produce evocative tapes, to be accompanied by raised diagrams of the great works of art described. Since then, Tony has always given great support in her battle to create The Living Paintings Trust. Many excellent contacts were made and an expert in tactile diagrams was found to help create the first Living Paintings Trust "Thermoform", raised representation. It was agreed to make a master diagram of Claude le Lorrain's "The Enchanted Castle". It was sculpted in relief, originally using dried juniper for the vegetation but this was abandoned in favour of cement. Aluminium mesh was adopted for rippled water. The castle was mainly modelled in balsa wood for speed, with some details added in cement. This raised image was then embossed onto braillon sheeting by a heat process and The Living Paintings Trust had successfully created their first thermoform. From then on the members of the Trust and their, by now, numerous friends worked tirelessly to formulate a method of bringing this innovative idea to those for whom it was designed, visually impaired people. The subjects for the first collection of paintings, known as an Album, were selected from the National Gallery in London and, with the help of their staff, scripts describing the paintings, their style and the period in which they lived were completed. At the same time the thermoforms were made in a similar fashion to the very first of "The Enchanted Castle" and packaging was extensively researched and designed. Also it was decided to include a colour reproduction of each work of art so that blind, partially sighted and sighted people could explore and discuss the albums together.
The Trust now had a unique, innovative product that worked and would enable it to bring immense enjoyment to those whose lives had been dulled by the loss of sight. A national, postal free library service was established, stocks of Albums produced and distribution began. In April 1989 the Charity Commissioners granted the Trust charitable status and fund raising began in earnest. Just a month later the National Arts Collections fund gave the Living Paintings Trust a prestigious award for "an outstanding contribution to the creative arts in 1989". This was presented to Alison Oldland on the 8th May by the Prince of Wales. It was a cheque for £5,000. At this time the Trustees were delighted when Sir Oliver Millar G.C.V.O., F.B.A., Surveyor Emeritus of the Queen's Pictures, agreed to become Patron of the Trust. The library membership is growing at an ever increasing rate as the Trust becomes known as a leader in its field with its work being respected and appreciated by all those who come across it. Many groups now meet to work together with the thermoforms encouraged and aided by a very special set of Living Painting Trust volunteers. "As Chairman it gives me great pleasure to have seen this idea, which came to me more by chance than good management, grow into something which, to quote a blind member, "breaks down the barriers in a sighted world". I leave you with the following quotation:- "Your Trust for me is a life saver. You offer a doorway into Art for all visually handicapped people of all ages, as well as offering a new 'touch' experience to the sighted. "Nothing can ever equal the first shock of sheer joy as I slipped into a world of my own. Rather like Alice through the looking glass. The mind took over the touching and actually lived in the picture". In September 1993, the founder and Chairman of the Living Paintings Trust received the first Guardian/Jerwood Award for individual excellence in the charity field and in June 1997 she was awarded the M.B.E Some FactsAbout Visually Impaired People in the UK
About The Living Paintings Trust
Our Purpose"The Living Paintings Trust opens up the joys of the world of the arts and other varied subjects to visually impaired people. To do this it uses unique and innovative combinations of sound and touch which are both exciting and stimulating."Our Values
Our aimsAim 1 - PRODUCT RANGE To create a full range of innovative materials designed to provide visually impaired people of all ages with a greater understanding of visual images. In order to achieve this the Trust manufactures, in-house, a number of unique touch and sound materials specially designed for visually impaired adults and children. Aim 2 - DISTRIBUTION SERVICES To provide a service within the United Kingdom which makes the Trust's materials readily available to all visually impaired people. In order to achieve this the Trust runs a free, postal, library service which distributes its unique touch and sound materials throughout the UK. It also installs touch and sound materials in galleries and museums for the enjoyment of their visually impaired visitors. Aim 3 - ORGANISATIONAL DEVELOPMENT It is the aspiration of the Living Paintings Trust to continue as an increasingly effective, efficient and financially secure organisation which can achieve its aims. In order to achieve this the Trust has a Board of Trustees, a Management Committee, a Management Staff and group of volunteers. Operations are run from premises which house its offices, library and production. Aim 4 - OVERSEAS DEVELOPMENT To pursue ways in which the Trust can enable visually impaired people in other countries to benefit from its work. Currently the Trust's work is only readily available to visually impaired people in the U.K. and Ireland. There are no similar services in other countries and thus the work has stimulated great interest from overseas. The Trust needs to explore the possibilities and decide how best to provide international access to its work. Our FutureThe Trust aims to significantly increase the number of visually impaired people who benefit from its service. In order to achieve this we have detailed plans for the future that can be discussed with members of staff in our offices. In simple terms, we plan to maintain our current level of service whilst looking to expand all areas of our work year on year. Additional to this we have plans for a number of development projects which are designed to double the number of people who benefit from what we do. We are constantly in touch with our beneficiaries and they tell us what they want. This information provides us with the basis for all the plans that we make. However, all that we are able to do is dependent on the money becoming available to fund our various projects. Our People
Kingsclere, Newbury, Berkshire, RG20 4SW Tel: (01635) 299771 Fax: (01635) 299771 E-Mail: lpt@livingpaintings.org A Registered Voluntary Charity No: 1049103 |
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